Celebrate surprises at the end of every year, a synopsis for “Do Not Mix with Alcohol” has been published. Delivered through recollections of a burned on the job firefighter, this highly anticipated book by Ethan Collins explores marriage of appearance to reality and implications their union has on our identity. Continue reading
Church has announcements celebrating great work done this summer. In time for students’ return to their favorite colleges Church Publishing launched its new bookstore. Locating the first storefront at church-publishing.com/store, in addition to literature this shop carries posters and stickers too! Blue and gold triangle stickers printed on vinyl coated paper with an adhesive backing look perfect on eReaders, computer skins, notebooks, and pocket portfolios. A set of two 2″ diameter circles plus one 4×3″ rectangle retails for only $1.99 and includes shipping. Better, decorate your kids’ dorm rooms with a 2×3 foot poster!
Used in the making of author Ethan Collin’s “Do Not Mix with Alcohol” cover, this poster of the girl holding her beer is an exact replica of Scottish artist Ruby McMenemy Tailor’s oil painting commissioned especially for the ▲Church Publishing book reprinted without any digital alteration or effects. This 120 lb. matte stock poster prints complete with canvas texture as viewed closely and at 24×36 inches it will make a perfect addition to any sitting or reading room scholars enjoy studying in. Buy the poster from Church’s eBookstore today!
Other Summer News
Church added an icon to its Downloads page listed under Public Relations. Formated as a .ico file this free button designed by Church Publishing Studio appears as if it’s been coated in translucent resin to harden the image affixed to a gold surface. Church’s icon could be used to access anything from computing devices’ desktops yet Downloads includes instructions to program this giveaway for mouse-click launching of church-publishing.com. Download your free icon today!
In time for this school-year Church Publishing is excited to rest during the final month of 2015’s summer after announcing the launch of its ▲Church Bookstore!
Author Ethan Collins’ next full-length novel comes covered by art having its own story. The image portraying “Do Not Mix with Alcohol” started as a sketch of a girl seducing the passer-by with lure of her irresponsibility. Though inspiration for her pose is not authorized for release, the best it could be communicated was captured by Scottish artist Ruby McMenemy-Taylor:
This character wouldn’t be caught guzzling something she’d abuse more for control of her lover than herself- it wasn’t her poison- so ▲Church requested artist McMenemy-Taylor lower that beer bottle to her lips suggestively. Moreover, there had to be reward for following this character’s direction. Posture reflecting relinquishment over self-control via a relaxed spine was fed-back to the artist:
Once artwork was complete, but before that got posted from Scotland, this artist fulfilled her contract by transmitting a photograph of the painting. Note author Ethan Collins is not determinate of the girl’s fate which rests upon perception of another character, the fireman, yet in Do Not Mix with Alcohol ▲Church publishing can confirm a girl died in a fire; therefore, subtle coloring of the shirt and streaks of soot showing in this photograph are not the result of poor photography- discoloration is intended to be symbolic:
Never-the-less ▲Church found that image blurry, having washed colors that lacked contrast. So without any idea of what Collins’ final cover would look like the publishing company contacted an Israeli painter specializing in digital re-touch. That specialist’s work showcases glamorous women in even more surreal states of portrait; what ▲Church enjoyed of his preview was how much softer her character appears:
Then in true irony almost worth international publicity, after taking physical receipt of “Do Not Mix with Alcohol” to make a book cover ▲Church Publishing encountered difficultly having the canvas professionally photographed. Perhaps some result of market price compared to value-added or labor associations, ▲Church worked for seven weeks to get this digitally captured. In the end the Publisher did great business and got excellent service from imaging professionals converting a 20″ canvas at 300 dpi into 32 million pixels. Note sharp color contrast compared to its first photograph in this file reduced to fit this site:
But having a character’s portrait wouldn’t be enough for the cover of Collins’ book which also would require the author’s title and writing credit. So ▲Church Publishing got to work designing the book cover. A first observation to note is the relocation of this character’s arm so that glass bottle contacts her closed lips: Continue reading